Monthly Archives: October 2013

Designer Profiles

I’m looking to feature more Native designers on this blog, and to facilitate that, I’ve put together a questionnaire. I’m asking that designers submit images of their work, 3-7 pieces (typography, layouts, posters, t-shirt designs, logos, etc), along with their answers to the questions. (Please feel free to give me feedback on the questions themselves as well! Let me know if anything should be added.) Email me at neeb at neebin.com with your answers and images. Thanks, you awesome, talented designers! People need to know about us and what we do!

DESIGNER Q&A

  • Name:
  • Website(s):
  • What is/are your tribal affiliation(s), and where are you from?
  • What do you do/what are your areas of expertise?
  • How would you describe your style? What are your influences?
  • How/when did you first become aware of graphic design as a field?
  • Where did you go to school to study (or how did you begin practicing graphic design)?
  • Who are some of your clients and/or where have you worked in a creative capacity?
  • What are your favorite kinds of design projects to work on? Tell us about a project you are particularly proud of.
  • What sorts of projects do you want to work on in the future?
  • Have any design pet peeves?
  • Do you have any creative heros or projects you admire?
  • How does your ethnicity factor into your work or experience as a designer (if it does)?
  • When it comes to Native Americans and graphic design, is there anything you would like to see? (Be as broad or specific as you like!)
  • Are there any particular challenges you have encountered as a designer that you would like addressed?
  • What would you say to young Natives who are interested in pursuing graphic design or are just beginning their design careers?
  • Optional question: How can more Natives be encouraged/enabled to enter the field?
  • Anything else you would like people to know about you?

First American Art Magazine – Exploring Native Graphic Design: Activism and Design + Papyrus: The Power of Bad Fonts

activism_and_design_1 activism_and_design_2

The latest issue of First American Art Magazine is out, and my column Exploring Native Design is centered around design in an activist context in this issue. The article is a basic overview, giving brief examples of several instances of indigenous people using design as a form of activism. Mentioned in article: AIM/Steve Blake, Louis Karoniaktajeh Hall/Warrior Flag, the Occupy movement/Dignidad Rebelde, Idle No More, Klee Benally, Save Wiyabi, Political T-shirt designs – Demockratees and OxDx, and Gregg Deal’s take on the Gap “Manifest Destiny” tee.

Also in this issue is an well-needed article by Roy Boney Jr. (Cherokee) – Papyrus: The Power of Bad Fonts. For those who don’t know, fonts such as Papyrus and Comic Sans are big no’s for professional designers (or anyone, really!). In an often humorous fashion, Roy astutely discusses the importance of typography’s messages, and analyzes and critiques the baffling usage of the Papyrus font among Natives, ending with the imperative, “Make your choice anything but Papyrus.” Roy notes that he could fill his “article with egregious sample images I come across quite regularly, but I want to keep my friends, even the ones who use Papyrus, so this column should be viewed as a public service announcement about bad design.”

Here’s a good quote about why Natives should take care in using Papyrus:
“But harm, comes from the symbolism of Papyrus being tied to ideas such as nature and ancientness. It paints us as noble mystic savages while forcing us to continually live as relics of the past. These are the same ideas used throughout history to subvert us as people in attempts to destroy our cultures, languages, and land bases. It belittles our standing as vibrant, 21st-century-people with strong cultures. The fact that we have embraced an action such as graphic design speaks volumes about the true nature of how we exist in a contemporary context. Our choice to create communicative materials such as posters, fliers, t-shirts, newsletters, stickers, and websites means that we must be aware of the design elements of our content.”

Good stuff! If the article becomes available online, I’ll be sure to share it here.

Order your copy of the magazine here: Issue No. 1, Fall 2013. There’s some particularly excellent artist features in this issue, plus lots of other good articles.